The loss of innocence through age is inescapable. With time, young idealism is violently met with the reality of systemic injustice and to prevent such a reunion is impossible. In A Raisin in the Sun, Mama is described as "being a woman who had adjusted to many things in life," weathered by and tired from laborious years of societal struggles. In contrast, Travis represents the vitality and adventurism of the youth and the preservation of innocence through censorship by older generations.
In an attempt to cover the hardships of daily life, Mama tends to Travis's chores, claiming "he's just a little boy" and that he "ain't supposed to know 'bout housekeeping" (40). And without explanation, Mama commands Travis to "hush up" (59) when he attempts to illustrate his childlike curiosity with the rogue rat. Mama's actions are representative of quiet conformation to societal ideals and institutional abandonment of pragmatic guidance and true education about the reality of struggles. Much like the "plant that ain't never had enough sunshine" (52), Travis doesn't receive the proper educational nutrition that is necessary to sprout understanding members of society. What is left of Travis's tenacious curiosity is a vague understanding that some things are right and some things are wrong.
The solution, I would argue, is like that of any other conflict: effective conversation between dissenting members. On a broader scale, this requires dialogue between people of, but not limited to, different generations, races, religions, and sexes. Bridging systemic chasms requires the full effort of people on both sides of the issue before it becomes too societally ingrained.



















